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Collage: Pine Wood Frame series
Process: The Indexical Mark
I began using clay tablets as a mono-print method, using coffee and clay slip as ink. I'd draw into the tablets with make-shift tools (tooth picks, sea shells, bottle caps) to inscribe imagery.
I also explored larger forms, and larger printing methods. This body is life-size, cropped here. I experimented with other forms of transfer also (paint stripper, and chemical methods of lifting from or impressing on one thing to another).
The foundation of the faces here, for example, are clay mono-prints. They also integrate digital transfer methods; wherein physical drawings and paintings were converted to digital, printed, and transferred onto new physical drawings and paintings, through several cycles.